Posts Tagged ‘Tom Morello’

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Rage Against The Machine (1992)

was the genre-spawning debut by - band Rage Against The Machine, released November 11, 1992. The songs tend to feature political mantras as rapped vocals. The album peaked at #17 in the UK albums chart, #1 on Billboard’s Heatseekers chart and #45 on the Billboard Top 200 chart.

The rapped vocals and -metal guitars mixed with hard /funk beats and grooves were a massive deviation from the traditonal /metal of the time, but before long “” arrived on the scene, making such genre crossovers commonplace.

Guitar sound

’s guitar technique stays on fairly traditional territory on this album, compared to subsequent albums, tending to be more influenced by funk and metal, as opposed to the more experimental hip-hop-influenced guitar styles Morello strays towards on later Rage albums.

 

What do magazines know, anyway?

In 2001 the album Rage Against the Machine was named in Q magazine as one of the “50 Heaviest Albums Of All Time” (which is rubbish, as anyone that has heard the wealth of thrash and death metal that is out there would agree). The album is included in the book “1001 ”. In 2003, the album was ranked #368 on Rolling Stone magazine’s list of the “500 Greatest Albums Of All Time”.

Maynard James Keenan

 

Turn it up to 11

The album is known for its high values, which are almost to the strictest standards. Some magazines and websites even go as far as using the album — in particular the song “” — to test and .

One of the songs, “”, features Tool / vocalist on “additional vocals”.  Keenan has occasionally appeared onstage with Rage to perform the song.

Who?

“Acclaimed” BBC Radio 1 DJ Zane Lowe named Rage Against the Machine as one of four albums to be added to his list of ‘Masterpieces’, and his personal favourite album, on December 2nd, 2008 (although repeatedly naming the singer as ‘De La Rocker’).

 

That man’s on !

The cover artwork features a famous photo of Thích Quảng Đức, a Vietnamese Buddhist , burning himself to death in Saigon in 1963. The was protesting President Ngô Đình Diệm’s administration for oppressing the Buddhist religion. The photograph drew international attention and persuaded U.S. President John F. Kennedy to withdraw support of the Ngô Đình Diệm’s government. It was taken by Associated Press correspondent Malcolm Browne; a similar photograph earned the award of World Press Photo of the Year in 1963.

Political Inspiration

Activists such as Provisional IRA hunger striker Bobby Sands and Black Panther Party founder Huey P. Newton are listed in the “Thanks For Inspiration” section. Also thanked were Ian and Alec MacKaye – De La Rocha was “Straight Edge” at the time, though he later took up smoking.

Lyrics

The lyrics for each song were printed in the album booklet with the exception of those for “”, which were omitted; the booklet reads “2. ”, skips the lyrics and continues with the next song.

Rage Against The MachineNo synths

The statement “no samples, keyboards or synthesizers used in the making of this record” appears at the end of the sleeve notes, and similar statements were made in the band’s subsequent albums. The band also refer to themselves as “Guilty Parties” in the sleeve notes of each album.

Track listing

” – 4:05
“Killing in the Name” – 5:14
“Take the Power Back” – 5:37
” – 4:48
” – 5:09
“Know Your Enemy” – 4:55
” – 6:04
” – 5:31
” – 5:24
” – 6:06

bonus disc:

“Darkness” – 3:40
” – 4:02
“Freedom” () – 6:14
“Take the Power Back” () – 6:12

“Guilty Parties”

Rage Against the Machine – Production, Art Direction

– Vocals
Tim Commerford – Bass (credited as “Timmy C.”)
– Drums
Tom Morello – Guitars
Maynard James Keenan – Additional vocals (“Know Your Enemy”)
Stephen Perkins – Additional percussion (“Know Your Enemy”)

Garth ‘GGGarth’ Richardson – Producer, Engineer
Stan Katayama – Engineer
Craig Doubet – Assistant Engieer
Jeff Sheehan – Assistant Engineer
Bob Ludwig – Mastering
Midas – Mixing / Production
Andy Wallace – Mixing
Steve Sisco – Mixing Assistant

and Nicky Lindeman – Art Direction

Just buy it already.

An inspiring album in so many ways, and not a weak track on the whole album.  This album should be a definite purchase for any self-respecting rocker, metaller, nu-metaller, neo-goth, funkster, hip-hopper and/or fan of REAL .

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CLICK HERE to buy Chris Cornell’s albums

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Chris Cornell's debut album, Euphoria Morning

Whenever I’ve discussed the question of “who is the best vocalist in the world” in the last few decades, one name has kept cropping up that has always been difficult to argue with. 

From the soft and delicate to the cutting and powerful, from the catchy and melodic to the highest tripped-out ethereal insanity…  in , did it all.

Chris Cornell with SoundgardenFollowing the demise of the legendary grunge band, Cornell had a brief spell as a solo artist before joining forces with ’s , and to form .

The sole he produced at this time has been overlooked by many, which is a shame because it really should be considered alongside as some of the best work he’s ever been a part of. 

 

That is not to say that you should expect another Superunknown. The harder rock elements of Cornell’s Soundgarden days are gone, but the space gives Cornell’s voice a chance to shine at the peak of his talents. 

Clearly this isn’t an official , but have a listen to while you’re reading…

He began writing the album in 1998, collaborating with and of the band .

Chris Cornell in Audioslave was released on September 21, 1999, containing 12 tracks, some versions containing a bonus track of either a French version of Can’t Change Me or Sunshower, a version of which can be found on the Mission: Impossible II soundtrack.

Can’t Change Me was the “big single” from the album, but check out When I’m Down, Mission, Disappearing One, Flutter Girl and Wave Goodbye for the real gems of the album.

Incidentally, Flutter Girl was a leftover from the 1994 Soundgarden classic, Superunknown.

I’ve named a few songs there for you to check out, but the real beauty of Euphoria Morning is that is a true “album” in the best sense of the word.  One of those rare modern releases that works best as a whole, as oppose to just being a collection of songs, so stick your headphones on, get yourself onto Spotify and listen to the whole thing in order.  You won’t be sorry.

Eventually, Audioslave split up and Cornell returned to being a solo artist, releasing (2007) and more recently (2009) with Timbaland… (er… what?)

After Euphoria Morning, I eagerly awaited the day Chris Cornell would release more solo material, but I felt short-changed with Carry On.  It just felt a bit rushed and too much emphasis on the poptastic with a blatant disregard for the interesting musicality that had worked so well on his solo debut.  Hopefully Scream will be a return to form.

Timbaland, you say?

Hmm.

 

Chris Cornell in the studio with some rap dude

 

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