Posts Tagged ‘real music forum’

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Rage Against The Machine (1992)

was the genre-spawning debut by - band Rage Against The Machine, released November 11, 1992. The songs tend to feature political mantras as rapped vocals. The album peaked at #17 in the albums chart, #1 on Billboard’s Heatseekers chart and #45 on the Billboard Top 200 chart.

The rapped vocals and -metal guitars mixed with hard /funk beats and grooves were a massive deviation from the traditonal /metal of the time, but before long “” arrived on the scene, making such genre crossovers commonplace.

sound

’s guitar technique stays on fairly traditional territory on this album, compared to subsequent albums, tending to be more influenced by funk and metal, as opposed to the more experimental hip-hop-influenced guitar styles Morello towards on later Rage albums.

 

What do magazines know, anyway?

In 2001 the album Rage Against the Machine was named in Q magazine as one of the “50 Heaviest Albums Of All Time” (which is rubbish, as anyone that has heard the wealth of thrash and death metal that is out there would agree). The album is included in the book “1001 ”. In 2003, the album was ranked #368 on Rolling Stone magazine’s list of the “500 Greatest Albums Of All Time”.

Maynard James Keenan

 

Turn it up to 11

The album is known for its high values, which are almost to the strictest standards. Some magazines and websites even go as far as using the album — in particular the song “” — to test and .

One of the songs, “”, features Tool / vocalist on “additional vocals”.  Keenan has occasionally appeared onstage with Rage to perform the song.

Who?

“Acclaimed” BBC Radio 1 DJ Zane Lowe named Rage Against the Machine as one of four albums to be added to his list of ‘Masterpieces’, and his personal favourite album, on December 2nd, 2008 (although repeatedly naming the singer as ‘De La Rocker’).

 

That man’s on !

The cover artwork features a famous photo of Thích Quảng Đức, a Vietnamese Buddhist , burning himself to death in Saigon in 1963. The was protesting President Ngô Đình Diệm’s administration for oppressing the Buddhist religion. The photograph drew international attention and persuaded U.S. President John F. Kennedy to withdraw support of the Ngô Đình Diệm’s government. It was taken by Associated Press correspondent Malcolm Browne; a similar photograph earned the award of Press Photo of the Year in 1963.

Political Inspiration

Activists such as Provisional IRA hunger striker Bobby Sands and Black Panther Party founder Huey P. Newton are listed in the “Thanks For Inspiration” section. Also thanked were Ian and Alec MacKaye – De La Rocha was “Straight Edge” at the time, though he later took up smoking.

The lyrics for each song were printed in the album booklet with the exception of those for “”, which were omitted; the booklet reads “2. ”, skips the lyrics and continues with the next song.

Rage Against The MachineNo synths

The statement “no samples, keyboards or synthesizers used in the making of this record” appears at the end of the sleeve notes, and similar statements were made in the band’s subsequent albums. The band also refer to themselves as “Guilty Parties” in the sleeve notes of each album.

Track listing

” – 4:05
“Killing in the Name” – 5:14
“Take the Power Back” – 5:37
” – 4:48
” – 5:09
“Know Your Enemy” – 4:55
” – 6:04
” – 5:31
” – 5:24
” – 6:06

bonus disc:

“Darkness” – 3:40
” – 4:02
“Freedom” () – 6:14
“Take the Power Back” () – 6:12

“Guilty Parties”

Rage Against the Machine – Production, Art Direction

– Vocals
Tim Commerford – Bass (credited as “Timmy C.”)
– Drums
Tom Morello – Guitars
Maynard James Keenan – Additional vocals (“Know Your Enemy”)
– Additional percussion (“Know Your Enemy”)

Garth ‘GGGarth’ Richardson – Producer, Engineer
Stan Katayama – Engineer
Craig Doubet – Assistant Engieer
Jeff Sheehan – Assistant Engineer
Bob Ludwig – Mastering
Midas – Mixing / Production
Andy Wallace – Mixing
Steve Sisco – Mixing Assistant

and Nicky Lindeman – Art Direction

Just buy it already.

An inspiring album in so many ways, and not a weak track on the whole album.  This album should be a definite purchase for any self-respecting rocker, metaller, nu-metaller, neo-goth, funkster, hip-hopper and/or fan of .

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The loves Rage Against The Machine – Rage Against The Machine.  We hope you do too.

CLICK HERE to buy Faith No More’s music

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A “hidden gem” from … at the end of the “ At Brixton Academy” , there are a couple of bonus studio tracks.

I always thought that this song, , was up there with ’s best work, and yet somehow it remains relatively unknown…

And here’s the , as best we’re aware, for those that are looking for them…

Faith No More – The Cowboy Song

Tears fall, They scarred your innocent teens.
Love’s fool, The company you envy.
Leaves fall, The seasons pass you by.
And you think, that maybe you can fly.
Serious fool, Relate your mind to a girl.
Crowds form, But think, smiling, of his peril.
Buildings fold, The pavement isn’t there.
But whats the last thing that goes through your head?
You take the elevator to the top,
The next thing you know,
There you are standing on the edge.
And all the flashing lights and futile cries,
They’re left with you now,
Just close your eyes and take that step.

Wasteful, They dampen your will to live.
Dice fall, Release pleasure that you give.
You fall, And take the whole with you.
And will you even bother to look down?

You take the elevator to the top,
The next thing you know,
There you are standing on the edge.
The victors there to turn you inside out,
So recognise me,
Before you find out what’s inside your head!
( SOLO)

You take the elevator to the top,
The next thing you know,
There you are standing on the edge.
Whats left is left and turns you inside out,
So recognise me,
Before you find out what’s inside your head.

And all the flashing lights and futile cries,
They’re left with you now,
Just close your eyes and take that final step,
Just close your eyes and take that final step…….

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CLICK HERE to buy Chris Cornell’s albums

on CD or mp3 from our Amazon Associate store!

 

Chris Cornell's debut album, Euphoria Morning

Whenever I’ve discussed the question of “who is the best vocalist in the ” in the last few decades, one name has kept cropping up that has always been difficult to argue with. 

From the soft and delicate to the cutting and powerful, from the catchy and melodic to the highest tripped-out ethereal insanity…  in , did it all.

Chris Cornell with SoundgardenFollowing the demise of the legendary grunge band, Cornell had a brief spell as a solo artist before joining forces with ’s , and to form .

The sole he produced at this time has been overlooked by many, which is a shame because it really should be considered alongside as some of the best work he’s ever been a part of. 

 

That is not to say that you should expect another Superunknown. The harder rock elements of Cornell’s Soundgarden days are gone, but the space gives Cornell’s voice a chance to shine at the peak of his talents. 

Clearly this isn’t an official , but have a listen to while you’re reading…

He began writing the album in 1998, collaborating with and of the band .

Chris Cornell in Audioslave was released on September 21, 1999, containing 12 tracks, some versions containing a bonus track of either a French version of Can’t Change Me or Sunshower, a version of which can be found on the Mission: Impossible II soundtrack.

Can’t Change Me was the “big single” from the album, but check out When I’m Down, Mission, Disappearing One, Flutter Girl and Wave Goodbye for the gems of the album.

Incidentally, Flutter Girl was a leftover from the 1994 Soundgarden classic, Superunknown.

I’ve named a few songs there for you to check out, but the real beauty of Euphoria Morning is that is a true “album” in the best sense of the word.  One of those rare modern releases that works best as a whole, as oppose to just being a collection of songs, so stick your headphones on, get yourself onto Spotify and listen to the whole thing in order.  You won’t be sorry.

Eventually, Audioslave split up and Cornell returned to being a solo artist, releasing (2007) and more recently (2009) with Timbaland… (er… what?)

After Euphoria Morning, I eagerly awaited the day Chris Cornell would release more solo material, but I felt short-changed with Carry On.  It just felt a bit rushed and too much emphasis on the poptastic with a blatant disregard for the interesting musicality that had worked so well on his solo debut.  Hopefully Scream will be a return to form.

Timbaland, you say?

Hmm.

 

Chris Cornell in the studio with some rap dude

 

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.com have released more dates for the unmissable 2009 |

That’s right, and , having already released many dates,  will be bringing the show to the rest of the world in the summer.

It’s not clear from their website whether Jane’s Addiction will be joining them on all of the dates listed below, but the two shows do appear to be confirmed NIN|JA dates.

From NIN.com:

   06.20.09 Neuhausen, Germany Southside            presale: NA
    06.21.09 Scheessel, Germany Hurricane Festival
presale: NA  
just added:   06.23.09 Poznan, Poland Malta International Theatre Festival
presale: NA  
    06.27.09 St. Gallen, Switzerland St. Gallen Festival
presale: NA  
just added:   06.29.09 Dusseldorf, Germany Philipshalle (map) presale: Sold out  
just added:   06.30.09 Berlin, Germany Berlin Arena (map) presale: Sold out  
    07.02.09 Arvika, Sweden Arvika Festival
presale: NA  
    07.03.09 Roskilde, Denmark Roskilde Festival
presale: NA  
just added:   07.07.09 Paris, France Zenith de Paris on sale: 04.20.09 presale: 04.17.09

5:00 pm
 
just added:   07.08.09 Amsterdam, Netherlands Heineken Hall (map) presale: Sold Out  
just added:   07.09.09 Esch-sur-Alzette, Luxembourg Rockhal presale: Sold out  
    07.11.09 Kinross, Scotland T in the Park Festival
presale: NA  
    07.12.09 Naas, Ireland Oxegen Festival
presale: NA
just added: 07.14.09 , M.E.N. Arena (map) on sale: 04.17.09 presale: 04.14.09

5:00 pm
Jane’s Addiction
just added: 07.15.09 , England O2 Arena (map) on sale: 04.17.09 presale: 04.14.09

5:00 pm
Jane’s Addiction
just added:   07.20.09 Athens, Greece Vrahon Theater on sale: 04.24.09 presale: 04.21.09

5:00 pm
 
    08.02.09 Knebworth, England Sonisphere Festival
presale: NA  ?
just added:   08.05.09 Manila, Philippines Araneta Coliseum (map) on sale: TBA presale: TBA  
just added:   08.07.09 Tokyo, Japan Summer Sonic
on sale: tba presale: tba  
just added:   08.08.09 Osaka, Japan Summer Sonic
on sale: tba presale: tba  
    08.10.09 Singapore, Republic of Singapore Fort Canning Park (map) presale: NA  
just added:   08.12.09 Taipei, Taiwan Nan-Kang 101 on sale: TBA presale: TBA

 

Representatives of the will definitely be at one of the shows.  We recommend you don’t miss this very last opportunity to see NIN before they dissolve, and this brief(?) reunion of Jane’s Addiction is their first tour in years.  Catch this show, or spend the rest of your life explaining why you weren’t there.  Remember GNR / / in the early 90′s?  Do NOT miss this tour.

Discuss the NIN / Janes Addiction tour in our forums…

http://www.realmusicforum.com/forums/nin-&-janes-addiction-2009-worldwide-tour-dates-announced-t200.html

…after all, it’s what the is here for.

Following funky acid-rockers ’s ‘s successful recent comeback gigs, a short set at the first-ever NME Awards USA on April 23, 2008 after their acceptance speech for the “Godlike Award”, their first full set in 17 years in Los Angeles on October 23, 2008 at La Cita Bar, and two other “secret” gigs, it has been confirmed that they will be touring this year with .

janesaddictnme_468x322

Reformed again: Jane'

When the full reunited line-up of , , , and played the NME Awards, it was the first performance they’d played with bassist Eric Avery since 1991.   The band played “Stop!”, “Mountain Song”, “Ocean Size” and “Jane Says” and the event was broadcast via MySpace.

The set list for their La Cita Bar gig was “Up the Beach”, “Trip Away”, “Whores”, “1%”, “Ain’t No Right”, “Pigs in Zen”, “Ted… Just Admit It”, “Ocean Size”, “Had a Dad”, “Been Caught Stealing”.

The confirmed dates so far are:

West Palm Beach, FL Cruzan Amphitheatre ( May 8 )
Tampa, FL Ford Amphitheatre (9)
Atlanta, GA Lakewood Amphitheatre (10)
Albuquerque, NM Journal Pavilion (14)
Phoenix, AZ Cricket Wireless Pavilion (15)
Chula Vista, CA Cricket Wireless Amphitheater (16)
Las Vegas, NV The Pearl (18)
Irvine, CA Verizon Wireless Amphitheater, Irvine Meadows (20)
Mountain View, CA Shoreline Amphitheatre (22)
Quincy, WA Sasquatch (23)
Englewood, CO Fiddler’s Green Amphitheatre (26)
Kansas City, MO Starlight Theatre (27)
Chicago, IL Charter One Pavilion (29) *
Noblesville, IN Verizon Wireless Center (30)
Clarkston, MI DTE Energy Music Center (31)
Toronto, Ontario Molson Amphitheatre (June 2)
Darien Lake, NY Darien Lake Amphitheatre (3)
Camden, NJ Tweeter Center at the Waterfront (5)
Holmdel, NJ PNC Bank Arts Center (6)
Wantagh, NY Nikon at Jones Beach Theater (7)
Columbia, MD Merriweather Post Pavilion (9)
Burgettstown, PA Post-Gazette Pavilion (10)
Charlotte, NC Verizon Wireless Amphitheatre (12)

*Nine Inch Nails solo gig

 

Trent Reznor, Nine Inch Nails

, Nine Inch Nails

The is said to be ending in Las Vegas in December, but worldwide dates are yet to be announced.

Trent Reznor recently announced that this was to be Nine Inch Nails’ last tour in their current format.

  opinion:  Hopefully this tour will be Europe-bound.  We’d like to see more from the superb “ on the set-list too!  This may be your last chance to see Nine Inch Nails in all their energetic glory, following Trent Reznor’s recent statement that would never play live again in their current format.   Sounds like Trent Reznor plans to take in a new direction, so watch this space.  In another recent announcement, Reznor admitted that he has been in the studio recently, recording Jane’s Addiction’s first new album since Strays in 2003.  We can’t wait to hear it!

Verdict: Unmissable!

Discuss this tour, or anything else, in the REAL MUSIC FORUM

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You heard it here first, or maybe you didn’t, but is back with a newly reformed who have been confirmed as a headliner of the 2009 Download ().

The annoucement has come and follows the of the reformation of Faith No More, lineup circa ,  for a European .

 

Faith No More - touring Europe this year!

Faith No More - touring Europe this year!

 

This means no , older fans may be unhappy to hear, duties being handled by .

In 1998 we thought “everything’s ruined” when of the breakup of this seminal band emerged, and after digging the grave, saying “ashes to ashes” and drinking a for this once-great act over a decade ago, they’ve come back to get on the and this is the thing.

Personally, I’m falling to piece over this news, so I and toast the band that brought us these classic albums…

  • 1985: We Care a Lot
  • 1987:
  • 1989: The
  • 1992:
  • 1995: King for a Day… Fool for a Lifetime
  • 1997: of the Year
  • It’d take to keep me away from this gig.

     The other are and .

    We care a lot at the and have our fingers on the pulse of the -loving , and so for all those budding guitarists, pianists and other musicians out there that are looking for the chords and to Faith No More’s cover of the classic, “Easy” – here you go…

    For ease of playing, I’ve transcribed it in G, whereas the recorded version is in G#, so if you want to use these chords to play along to the record, you’ll have to tune your guitar up a  half-step.

    Verse:

    G                                  Bm                                Am                        D
    You know it sounds funny but I just can’t stand the pain…

    G          Bm                          Am      DDDDD…   
    Girl I’m leavin’ you tomorrow….

     G              Bm                                              Am             D   
    Seems to me, girl, you know I’ve done all I can…

    G                Bm                       Am                  D
    You see, I beg, stole and I borrowed, yeah

     

    Chorus:

                            G        Bm      Am
    It’s why I’m easy

          D                            G      Bm     Am     D
    I’m easy like Sunday morning

                           G     Bm     Am    D           
    It’s why I’m easy

                                    F     C   DD G    (bass part: F, E, DD, G)
    Easy like Sunday morning

     

    Bridge:
                         F      Em      D
    I wanna be high, so high

                         F                                               Em     D
    I wanna be free to know the things I do are right

                         F        Em   D
    I wanna be free, just me

          Bb    F     Bb    C
    Oh babe

    (guitar solo: same chords as verse)
    (repeat chorus)

    End on the G

    Now don’t say we never give you anything. :)

     

     

     

     Incidentally… the 2009 Download UK lineup so far:

     

    Faith No More, Slipknot, Def Leppard

    , , Whitesnake(plus special guests)

    Limp Bizkit, Pendulum,

    Motley Crue, The

    , , Trivium, , Billy Talent, Buckcherry, Anvil, The Blackout, Devildriver

     

     

    Best lineup ever?

     

    Take it easy, and don’t be having a over this news.

    If this is your first visit to the RMF, please join our to discuss all things music.

    http://www.realmusicforum.com/forums/

    Muso

     

    Can I stop with the stupid FNM puns now?

    A new poster on the RMF has recommended a new artist to our readers.   If you’re a regular reader of the then I’m sure you’ll know already how I feel about the industry, (and if not, you should start by reading my “Recent Music Releases” article).   So a word to the wise… if you’re here to deliver SEO spam, be prepared for your link to be reviewed in true RMF style.

    So, without further ado, here’s my of

    gabcil

    Gabriella Cilmi: Nothin' sweet about her?

     

    I’ve got to say, compared to a lot of pop artists, she’s not too bad… there’s certainly a lot of potential there, but it appears to me that the label and producer had too much say in her “sound” for my liking. They seem to have placed the emphasis on making her fit in with modern pop trends and ignored her actual strengths. 

    Voice:   This is a case-in-point for me.   She’s reasonable enough in the bits where she stops putting on The Whinehouse Effect – you can hear that under the neuveau-pop surface she can probably actually belt them out with the best of them.   It’s a shame that her label / producer have forced her to sing in that Winehouse-esque pseudo-Anastasia post-Gabrielle half-throaty-and-half-nasally style, because it’s certainly not her natural voice – you can tell in the bridge sections where she almost lets herself sing properly.   Macy Gray opened a door a few years ago, showing the labels that this kind of voice had a market, and since then every other “alternative pop” vocalist seems to have this same croaky edge.   The majors are doing the same thing to this sound that they did to indie in the mid-90′s – taking a tiny part of what makes it “good” and exploiting it by papering over the cracks of bad pop with this new sound to market the same tired old crap with a new wrapper.   Such a shame. Such is the modern pop industry.  

    The band:   instruments played by decent session musicians, but the whole thing’s just a bit too… “poptastic” for my liking.   With the wealth of talent at her fingertips, having a band full of session musicians of obvious skill, and yet the song is a formulaic 4-chord stumbler.   She probably has to kick them during performances to keep them awake.

    Hit / Miss?   Miss for now, but a definite “wait and see”…. if she gets enough limelight from this , she will have more sway with the label for her “sound” for the 2nd , and hopefully she’ll let her musicians have more input for the song structures and start singing with her real voice, and who knows, maybe, just maybe she’ll fulfill her potential and leave the mindless pop thing behind. 

    P.S.  Cilmi?   This surely isn’t her real name, is it?    How is it pronounced?    “Kill me”?    A cry for help perhaps?    Cynical and jaded about her own project from the outset?

    Do the right thing, Gabriella, sack off the major label pop chart thing and start playing clubs for a few years.  Start hanging out with Donavon Frankenreiter too.  It’ll make all the difference.  Trust me.

     

    Stay tuned for more up-to-the-minute and reviews of the pop and .

    A Journey Of Discovery

    Author: admin

    What is the ?

    Why am I doing this?

    Essentially, life is short and while I’m alive I want to experience the best that the has to offer, nay, has ever had to offer.

    Old or new, from the stiffly traditional to the most mind-bendingly contemporary, if it’s good, I want to hear it.

    “What do you mean, ‘good’? Surely musical taste is subjective?” I hear you say. Well, yes, while it is true that we all have different preferences for what music we might want to listen to at any particular moment, along my musical travels I have discovered to my great joy that transcends genre. I’ve seen ‘metallers’ enjoying certain electronic music, technoheads who own a few indie CDs, and even the most brainwashed of chart-worshipping sheep has been known to have come into possession of “a really cool old ” by accident, only for it to become their favourite .

    This is the cream that I seek. Not necessarily music that has no mass appeal, but not necessarily not music that has no mass appeal either. If you get my drift.

    Good music has something that makes it good. That “something” could be almost anything, from the most obviously superb vocal performance to the smallest subtle hi-hat fill that appears only once in the track. It could be that the song has been wonderfully produced or that it has some kind of historical value, or that there is a story that adds to the big picture.

    Essentially, as far as music is concerned, I’m an Info Freako. There is no end to what I wanna know. And in true Jesus Jones style, zeroes and ones will take there.

    I want to know why a particular recording of an oft-performed standard from the 50s was so important to the genre.

    I want to know which albums were considered revolutionary and understand them in the context of the other music that was around at the time.

    I want to know how subgenres were spawned, how politics and social trends have affected the music of a particular time.

    What I want most of all is to develop a community at the RMF for like-minded music-lovers everywhere. A place where ideas, recommendations and opinions can be exchanged. A place for record collectors, enthusiasts, music teachers and students, veterans and rookies alike.

    Every community needs people, and we’re no different so get yourself signed up in the and get posting!

    Great things come from humble beginnings.

    Thanks for reading.

    Best regards,

    Muso.