Posts Tagged ‘news’

chris_cornell_montreux_jazz_fest_2005

will be playing Download 2009

Twelve more bands have been announced for Download 2009.  Former and lead vocalist will be playing, as will be giants

will be playing his solo meterial and the appearance follows the recent release of his 3rd solo , , last week.

I’ve not heard yet, but rest assured, I’ll be reviewing it soon.  His first solo , is a work of genius, but sadly his 2nd effort, , didn’t hit the same heights.

Incidentally, if you haven’t heard , get yourself onto Spotify and check it out.  Superb stuff.

has stated to the press that a reunion is unlikely to ever happen, and that the various former members of the had put a lid on their days.  Ah well.  Another great I’ll never get a chance to see .

 Discuss Download 2009 on this thread in the ….

http://www.realmusicforum.com/forums/article-download-festival-uk-update-12-more-bands-announced-t135.html

 

 

skinukband

as they were in the mid 90's

rockers will be appearing, making their first appearance since 1998!  Once upon a time, almost every gig I went to, seemed to be supporting, but alas they disbanded during the decline in popularity of in the late 90’s.  Is this the beginning of the second era of ?  Who knows, but if you’re into 80’s/90’s with some proper solos and you happen to be going to Download, check them out!

Also added to the bill are Down, Lacuna Coil, , , Clutch, Black Stone Cherry, Architects, Parkway Drive and .

 

 The lineup so far (in no particular order) :



Whitesnake















The
Down
Black Stone Cherry
Lacuna Coil
Pendulum
Clutch

Anvil

Parkway Drive

Billy Talent
Architects

 

Don’t forget, you can discuss Download 2009 (or anything for that matter) in our forums…

http://www.realmusicforum.com/forums/

Come and have your say!

You heard it here first, or maybe you didn’t, but is back with a newly reformed who have been confirmed as a headliner of the 2009 Download ().

The annoucement has come and follows the epic of the reformation of , lineup circa Of The Year,  for a European tour.

 

Faith No More - touring Europe this year!

- touring Europe this year!

 

This means no , older FNM fans may be unhappy to hear, duties being handled by Jon Hudson.

In 1998 we thought “everything’s ruined” when of the breakup of this seminal emerged, and after digging the grave, saying “ashes to ashes” and drinking a last cup of sorrow for this once-great act over a decade ago, they’ve come back to get us on the and this is the thing.

Personally, I’m falling to piece over this , so I and toast the that brought us these classic albums…

  • 1985: We Care a Lot
  • 1987:
  • 1989: The Thing
  • 1992: Angel Dust
  • 1995: King for a Day… Fool for a Lifetime
  • 1997: of the Year
  • It’d take woodpeckers from mars to keep me away from this gig.

     The other headliners are and .

    We care a lot at the RMF and have our fingers on the pulse of the -loving world, and so for all those budding guitarists, pianists and other musicians out there that are looking for the chords and to ’s cover of the Lionel Ritchie classic, “Easy” – here you go…

    For ease of playing, I’ve transcribed it in G, whereas the recorded version is in G#, so if you want to use these chords to play along to the record, you’ll have to tune your up a  half-step.

    Verse:

    G                                  Bm                                Am                        D
    You know it sounds funny but I just can’t stand the pain…

    G          Bm                          Am      DDDDD…   
    Girl I’m leavin’ you tomorrow….

     G              Bm                                              Am             D   
    Seems to me, girl, you know I’ve done all I can…

    G                Bm                       Am                  D
    You see, I beg, stole and I borrowed, yeah

     

    Chorus:

                            G        Bm      Am
    It’s why I’m easy

          D                            G      Bm     Am     D
    I’m easy like Sunday morning

                           G     Bm     Am    D           
    It’s why I’m easy

                                    F     C   DD G    (bass part: F, E, DD, G)
    Easy like Sunday morning

     

    Bridge:
                         F      Em      D
    I wanna be high, so high

                         F                                               Em     D
    I wanna be free to know the things I do are right

                         F        Em   D
    I wanna be free, just me

          Bb    F     Bb    C
    Oh babe

    ( solo: same chords as verse)
    (repeat chorus)

    End on the G

    Now don’t say we never give you anything. :)

     

     

     

     Incidentally… the 2009 Download lineup so far:

     

    , ,

    , , Whitesnake(plus special guests)

    , Pendulum,

    , The

    , , , , Billy Talent, , Anvil, ,

     

     

    Best lineup ever?

     

    Take it easy, and don’t be having a over this .

    If this is your first visit to the RMF, please join our to discuss all things .

    http://www.realmusicforum.com/forums/

    Muso

     

    Can I stop with the stupid FNM puns now?

    A new poster on the RMF has recommended a new artist to our readers.   If you’re a regular reader of the RMF then I’m sure you’ll know already how I feel about the industry, (and if not, you should start by reading my “Recent Music Releases” article).   So a word to the wise… if you’re here to deliver SEO spam, be prepared for your link to be reviewed in true RMF style.

    So, without further ado, here’s my of – Sweet About Me…

    gabcil

    : Nothin' sweet about her?

     

    I’ve got to say, compared to a lot of artists, she’s not too bad… there’s certainly a lot of potential there, but it appears to me that the label and producer had too much say in her “sound” for my liking. They seem to have placed the emphasis on making her fit in with modern trends and ignored her actual strengths. 

    Voice:   This is a case-in-point for me.   She’s reasonable enough in the bits where she stops putting on The Whinehouse Effect – you can hear that under the neuveau- surface she can probably actually belt them out with the best of them.   It’s a shame that her label / producer have forced her to sing in that Winehouse-esque pseudo-Anastasia post-Gabrielle half-throaty-and-half-nasally style, because it’s certainly not her natural voice – you can tell in the bridge sections where she almost lets herself sing properly.   Macy Gray opened a door a few years ago, showing the labels that this kind of voice had a market, and since then every other “ ” vocalist seems to have this same croaky edge.   The majors are doing the same thing to this sound that they did to indie in the mid-90’s – taking a tiny part of what makes it “good” and exploiting it by papering over the cracks of bad with this new sound to market the same tired old crap with a new wrapper.   Such a shame. Such is the modern industry.  

    The :   instruments played by decent session musicians, but the whole thing’s just a bit too… “poptastic” for my liking.   With the wealth of talent at her fingertips, having a full of session musicians of obvious skill, and yet the song is a formulaic 4-chord stumbler.   She probably has to kick them during performances to keep them awake.

    Hit / Miss?   Miss for now, but a definite “wait and see”…. if she gets enough limelight from this , she will have more sway with the label for her “sound” for the 2nd , and hopefully she’ll let her musicians have more input for the song structures and start singing with her voice, and who knows, maybe, just maybe she’ll fulfill her potential and leave the mindless thing behind. 

    P.S.  Cilmi?   This surely isn’t her name, is it?    How is it pronounced?    “Kill me”?    A cry for help perhaps?    Cynical and jaded about her own project from the outset?

    Do the right thing, Gabriella, sack off the major label chart thing and start playing clubs for a few years.  Start hanging out with Donavon Frankenreiter too.  It’ll make all the difference.  Trust me.

     

    Stay tuned for more up-to-the-minute and reviews of the charts and recent releases.