Archive for the ‘Music History’ Category

Olympic Studios have closed their doors for the last time.
, now gone.

 

On January the 30th 2009, closed its doors for the last time. 

Helios console
console
This legendary recording studio in South-West London has been the home of from such great recording artists as , and  in its time, and the closure signifies the end of an era for the recording industry.
 
Apparently EMI decided that they could no longer afford to keep this world-reknowned studio, due to it not being profitable.  The closure means that EMI have only one remaining recording studio in the UK, in St. John’s Wood. 

For decades, EMI have been unable to tap into the merchandising market for in the same way they had with , due to legal problems concerning the use of the name “”.

Nevertheless, has up until now braved onwards, producing great by the likes of , , , Thin Lizzy, , The Small Faces, , Sammy Davis Jr., , , Roger Waters, , Hawkwind and amongst many others, winning numerous UK recording industry awards for “Best Studio” along the way. 

From a technical point of view, has always been at the forefront of recording technology.  Back in the 60’s, the maintenance staff manufactured ’s mixing consoles, and was home to the first ever console.  An EMI TG console remained in use in the until the very end.   Presumably this has now been moved to .
EMI TG console
EMI TG console

In modern times this trend has continued, with being home to the last few generations of large-format in-line mixing console.

Olympic Studios Studio 1 SSL K-series

Studio 1 K-series in-line console

To say goodbye, the last remaining staff of got together in the final week of business to record a cover of classic “You Can’t Always Get What You Want”.

Here’s their version of the song, and the video they made to go with it…

Goodbye , and thanks for all the wonderful memories!  Best of luck, everyone!

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Who started funk music?

Author: admin
Does it get any more funky than this?

Does it get any more funky than this?

is easily recognized by its distinct musical style of repetitive beats and driving bass lines, with clear roots in , blues, gospel and soul . By the late 70’s, had its tentacles in just about every genre.  The infusion with the worlds of , , soul, and motown had given us progressive , -, fusion, acid and disco, and would eventually find itself firmly responsible for a large amount of  and electronica

Going back to the 1960s, in amongst all the and folk -oriented popular of the time, there was an artist who arrived on the scene who would be held widely responsible for this explosion.  A man who changed the face of forever, the Godfather Of Soul,  .

 

 
was one of the first artists to use as a main distinguishing feature of his sound.   The result has been not only an astonishing career and many great recordings, but also the legacy that grew with him, a genre that would eventually visit places that Brown himself could not even have imagined. 

Little Richard - Father of funk?
– Father of ?

So where did he get the idea?  What are the origins of ?

The ’n'Roll hall of fame claims that “ and others” credit Little Richard’s 1950’s road to be the first to inject into the ’n'roll sound.  Praise indeed, or so it seems, but where did originate?  Specifics seem difficult to track down.

The first known appearance of the word “” in a formally-written piece of was Buddy Bolden’s “Funky Butt”  in 1907 but before that it was already a word of encouragement, shouted to bands by enthusiastic audiences in African American clubs.

So… here it is…  my first ever “quest of the moment” on the RMF is The Search For .

Who were these “African American” bands playing underground to exclusive club audiences pre-?

When was the first time someone laid ears on what we now know as ?

 

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